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Similar to the Lightning 15, the Spitfire keeps it sweet and simple. It is powered by two EL84s, 12AX7s for tone, a phase inverter and a 5AR4 for the rectifier. The Spitfire comes in a lightweight, compact cabinet, but still packs the same punch you’ve come to expect from Matchless.

Like all Matchless amplifiers, the Spitfire is hand made, point to point wired and tough as nails. User controls are Volume, Tone, and Master Volume.

The Lightning’s interactive tone controls influence each other in a very dynamic way and pull each other’s range and reach up and down. Actual tonal possibilities are very extensive and it produces loud output volumes not normally associated with a 15 watt rating.

The Pro-grade single channel preamp with its interactive tone controls is coupled to a serious dual-EL84 power section with a tube rectifier. All models have active EQ to attain an excellent array of complex tones. User controls include Volume, Interactive Bass & Treble, and Master Volume.

The Avalon utilizes an innovative new hybrid construction method which combines point to point wiring, circuit tracing, and turret style construction. All parts, including the transformers, are identical to the ones that go into our traditional amps and are hand wired and built in our factory in Los Angeles.

The result is an amplifier that produces crystal clear, dynamic, three dimensional tones that are unique to Matchless at a lower price point.

The Avalon also comes standard with a plexi-glass front panel which showcases a glossy black chassis illuminated by recessed lighting and of course it features the signature Matchless light up logo. The traditional front panel is optional.

This is what changed the amp world. The DC-30 was the company’s first design and still leads the lineup. Thirty very conservatively rated watts from a quartet of EL-84’s, through two channels, each with unique voicing and tone control layouts, produce a world of tone choices. True “Class A” configuration gives rich, complex harmonics whether played clean, mildly overdriven, or with all out power tube saturation. This means you should sound great in any situation, in any music style.

A long list of musician designed features includes: highly interactive tone controls and circuitries unique to each channel, bypassable master volume, individual channel effects loops, cut control for high frequency shaping, high and low (30 or 15 watt) power settings, selectable output impedance and phase inverter switches allow the use of additional speaker cabinets or amps in-phase with the DC-30.

The preamp sections are based on a layout of two 12AX7's in Channel 1 and one EF86 in Channel 2. The two 12AX7's in Channel 1 create a parallel-triode circuit with interactive bass and treble. The one EF86 in Channel 2 consists of a high-gain pentode coupled to a six-position tone switch. Outright benefits include quick dial-in of new tones and an easy return to the settings you prefer. Also "high treble" cut control, master volume, with a bypass feature that offers flexible control of the power amp section. The power amp is fed by a 12AX7 phase inverter, which drives four EL84 power tubes. The rectifier circuit gives you the flexibility of using one 5AR4 for a quick attack or you can use two 5V4's for a smooth, round response. Other professional features include an effects loop, half power-mode switch (a conservative 30 watts switching to 15 watts), output impedance selector (4, 8, 16 ohms) and a speaker phase-reverse switch.

Sound on the 212 Combo is delivered through two dissimilar Celestion speakers: a G12H30 and a Greenback 25, each specially modified through a proprietary MATCHLESS formula. All of this is encased in an extremely sturdy hand-made 11-ply, ¾” Baltic birch cabinet, wrapped in richly textured black vinyl. The finishing touch is our signature backlit nameplate and control panel, which lets you (and the audience) know when the power is on.

The C-30 series is now available with optional reverb for $250.00.

The Independence 35 is the first 35 watt 3 channel guitar amplifier in Matchless’ history! In addition to the signature backlit nameplate, the three channels light up red, white, and blue. Channel one (blue) is powered by one 12AX7 with a volume and tone control. Channel two (white) is powered by one 12AX7 and will provide ample chunk and high-gain lead. Channel three (red) is all about fire. The master volume control is by-passable and features a cut control to thicken up and shave the highs.

The power section of the Independence starts with a 5AR4 rectifier tube and the 35 watt output is powered by two EL34s, which are cathode self biasing. A 3 position rotary switch allows for 4, 8, & 16 ohm output. The channels are switched through one footswitch.

The Chieftain preamp utilizes two 12AX7's for its interactive tone and two 12AX7's for the reverb circuits. This highly flexible preamp circuit is enhanced by a very active mid control. The preamp section is coupled to a pair of EL34's power tubes via a 12AX7 phase inverter for tremendous power reserve.

The 40 watt Chieftain employs a tube powered spring reverb and a broad array of tone control knobs. The classic range of bass, mid, treble, brilliance and reverb controls provides quick access and visual confirmation of 5 tube based tone shaping parameters.

Exceptionally loud sound pressure levels can be attained with no appreciable loss of tone. Additional features include an effects loop and a switchable output impedance (4, 8, 16 ohms).

Sound on the 212 Combo is delivered through two Celestion speakers: two G12H30s, each specially modified to a proprietary MATCHLESS formula. All of this is encased in an extremely sturdy hand-made 11-ply, ¾” Baltic birch cabinet, wrapped in richly textured black vinyl. The finishing touch is our signature backlit nameplate and control panel, which lets you (and the audience) know when the power is on.

The Chieftain will support almost any playing style and is considered an excellent all-purpose amplifier.